Produced by Portishead co-founder Geoff Barrow, this scabrous if slight first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own family home. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, fuming after David kills his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Woodsman denying his container of cider, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
Just a single important plot development, but it leads to a hilariously staged chaotic run on the forest trails that dips close to folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film releases in British and Irish cinemas from November 17.
